Dominik Lejman projects his videos onto walls, his own paintings, and unique sites in public spaces. The lighting is key to Lejman’s mural installations – the environment is not cinematic, and thus can be projected at any time of day. By utilizing short time-loops that obscure the beginning and end of the video, and projecting the inverted negative of the positive black-and-white footage, Lejman adds an element of abstraction to his work. The video takes on a new universality through this inversion and the indeterminate, faceless figures. Such abstraction is also useful for creating space for viewers to critique and reflect upon the art world, which is precisely what Lejman wants.