Persons Projects

Viewing Room

Booth A05

Santeri Tuori

Water Lilies #21, 2023

Pigment Print

196 x 145 cm

Edition of 6 + 2 AP

With his "Water Lilies" series, Santeri Tuori combines a limited set of photographs that he is taking during different stages of the same season. Assembled, they inspire a surreal sensation, as if the lilies are hovering on the surface of the water. Yet, there’s a depth within the photographs that seemingly entices the viewer to dive in.

Jakub Julian Ziółkowski

Untitled, 2022

Gouache, ink, paper

53 x 39 cm

Unique

Jakub Julian Ziółkowski’s works have a unique quality of toeing the line between abstraction – much like the colors, shapes, and spiritual inquiry of a Hilma af Klint painting – and classic figuration, allowing him to abstract what we are seeing.

Niko Luoma

Self-Titled Adaptation of Nude Descending a Staircase, No.2 (1912), 2021

Archival pigment print, Diasec
220 x 140 cm

Edition of 6 + 2 AP

Niko Luoma has built his career around using the photographic process as a tool for conceptual thinking, using light as a raw material. In his most recent series, "Adaptations", Luoma draws upon art history to find his subjects for his reconstructions.

Mikko Rikala

The Why of the Visibility, 2017
From the series Francesca Woodman
Digital C-print on glass, shelf
40 x 30 cm
Edition of 5 + 2 AP

In the series Francesca Woodman, Mikko Rikala draws his inspiration from the drawings by José Antonio Suárez Londoño on the late US-American photographer and her early photographs, which functioned as Rikala's point of departure.

Jussi Nahkuri

Sending you Kisses under the Big Tree, 2022
Archival pigment print on rectangular aluminum tubing
150 x 220 x 8 cm

Edition of 5

Jussi Nahkuri is an artist working with time conceptually rather than strictly documenting the world around him. His approach is inspired by the theories of French philosopher Henri Bergson, who is majorly known for his elaborations regarding the significance of immediate experience and intuition in order to understand time.

Grey Crawford

Chroma # 672, 1980

From the series Chroma Fabula

Archival pigment print, framed

120 x 170 cm

Edition of 6

Further options: 61 x 85 cm

In his series Chroma (1978–1984), Grey Crawford uses the same masking technique seen in Umbra. Unlike his earlier works, Chroma represented a new departure, as it opened up different possibilities that black and white photography couldn’t.

Katarzyna Kozyra

Homo Quadrupeds Meeting, 2018

From the series Homo Quadrupeds

Archival pigment print

75 x 120 cm

Edition of 5 + 2 AP

Katarzyna Kozyra is Poland’s most well-known video and performance artist. From the beginning, she has been breaking social taboos, for which the conservative Polish society regards her as controversial. Her work points to some of the most important issues of human existence: identity and transgression.

Eeva Karhu

Path (moments) Winter 1, 2019

From the series Path (moments)

Pigment print, framed

47 x 75 cm

Edition of 5 + 2 AP

In her Path (moments) series, Karhu photographs the same walking route she takes from her home throughout three months and compiles all the photos together to form the given season they were taken in.

Sanna Kannisto

Ramphocelus costaricensis, 2019

Pigment ink print, framed

81 x 61 cm

Edition of 7 + 2 AP

Further options: 160 x 120 cm

Sanna Kannisto’s works explore the intersection between nature, science, and art. Her photographs are a study of different methods, approaches, and theories in how humankind interacts with its natural environment.