Using photographs only from her archive, she developed her own technique of multiple exposures of negatives on photographic paper through precisely cut masks. Kulik's work takes on various forms marked by interlacing rhythms and patterns: from photo carpets through columns, gates, medals, and mandalas to open compositions. Thematically, she focuses on the relationship between men and women, as well as on symbols of power and totalitarianism. Following the continuum of recurring signs and gestures, a further pivotal part of her work is the phenomenon of mass media and its influence on consumers, as well as the continuum of recurring symbols and gestures.