Chestnut Flower, 2025
Archival pigment ink print
81 x 61 cm
In
her works, Sanna Kannisto explores the intersection between nature,
science, and art. During numerous stays in South America, along with her
recent work in Finland, she became a visual researcher, borrowing
methodologies from the natural sciences, anthropological practices, and
still-life painting traditions. As part of her artistic process, she
stages portable "field studios" to photograph birds. By removing the
subject from its original natural context, the viewer’s attention is
directed towards its specific characteristics and movements.
While her work is significantly influenced by the quasi-scientific
methods of conceptual art, it offers a poetic perspective on natural
phenomena, with a particular emphasis on the sculptural quality of a bird in motion. There is striking tension between the liberated motion
of the birds and the fixed nature of the photograph in which they are
enclosed.