Książek's series Movement is dedicated to the development of experimental dance in the Weimar Republic. The starting point for this series are two preserved photographs of the Viennese dancer Susanne Birkmeyer taken by Trude (Gertrude) Fleischmann in the 1930s in Vienna. The artist's conceptual large-format oil paintings are centered around the idea of showing the impression of movement. He uses the fragmentary afterimage, based on Władysław Strzemiński’s "Theory of Vision" rather than the linear overlapping of sequences. Książek’s challenge is to recreate these dancers’ movements from performances that were frozen in time by only a few limited historical photographs.