Created during his residency in Giverny, the series 'L'étang qui se souvenait de tout' ('The Pond That Remembered All') reimagines Monet’s iconic gardens. Like Monet, he pursues the elusive qualities of light and shifting atmospheres. Using long exposures, he captures garden views reflected on a black-lacquered wooden panel, evoking the 18th-century Claude glass. These images blur the line between photography and painting, their distorted views suggesting scenes glimpsed through fogged windows. Reflecting the relationship between past and present, the photographs are multi-temporal, dreamlike reconstructions of memory and a bygone era.