Umbra #14, 1977
Silver gelatin print
50,5 x 66 cm
Grey
Crawford was born and raised in Southern California, USA, and was one
of the first West Coast artists who challenged the photographic medium
through his darkroom experiments with both black and white and color
photography. His early 1970s black and white photographs, from his
Umbra series, combine the dense urban landscape images of Los Angeles
with his darkroom experiments. Inspired by the basic shapes and forms
used by the California Hard Edge painters John McLaughlin and Karl
Benjamin, Crawford distinguished himself from the popular topographers
of that era, such as Lewis Baltz. He infused these geometric forms, utilizing his own masking and filter
techniques, which he developed during his studies at the Rochester
Institute.
His
Umbra
series (1975-1979) is composed of black and white silver gelatin prints - photographed throughout the 1970’s in Southern California. By
using the darkroom as his palette, Crawford introduces hard-edged,
abstract shapes based upon the California painter John McLaughlin’s
forms through the use of masks. Grey Crawford incorporates these basic
geometric shapes and lines into his photographs, creating his own
landscapes, almost like a stage for an undefined play. The shapes become
the building blocks by which he establishes his own visual language.