In her series En plein air (Luminism) (2024), she captures a whole season in a single image, using a collage technique which, rather than hiding any of the layers, allows her to choose the parts that will enhance the final image. She paints with light, creating a visual appearance similar to brush strokes. As one gets closer, it resembles less of a painting and more of a photograph, as one can see all the minute photographic details. This series extends her exploration of light, landscape, and atmosphere, drawing from the tradition of plein air painting and the fleeting impressions of the natural world. In these works, the interplay of transparency, soft luminosity, and delicate layers shapes each composition. The fusion of digital collage and watercolor-like fluidity creates ethereal spaces where light itself becomes a subject.